I could transcribe an interview at least 4x faster this way.Īt this point I realized I needed a killer database. It’s like being a language translator, but you’d be surprised how fast you can do it because people pause so often when they speak. With headphones on, I listened to an interview while dictating it into a note on my iPhone. But how was I going to get the audio of the interviews into Siri? Then I thought: I could translate for her. Then it occurred to me I always have a great piece of transcribing software at my disposal: Siri. I researched transcribing software and was underwhelmed, and it wasn’t really in my budget to hire a transcriptionist. I started transcribing every interview in Inqscribe, but it was deadly on my hands and taking forever because I’m just a medium-fast typist. Using Murch as inspiration and her nascent knowledge of editing, Rain jumped head first into creating a database: Using a combination of Inqscribe, Filemaker Pro, Premiere Pro and Excel, Rain's Murch-esque database was an invaluable tool to keep track of every sound bite during her first time directing. In order to keep the film straight in her head and save money, she made a database of all of her footage so she could pre-visualize edits before handing it off to me as the film's actual editor. "It’s super time-consuming but it makes a lot of sense because, as the director, I need to have seen every moment of footage and, as the producer, I want to save time and money." After reading that Particle Fever director Mark Levinson essentially made himself legendary editor Walter Murch's assistant on his own film's post-production, director Rain Perry decided to the same for her documentary The Shopkeeper, about a music producer in Texas. Going through post-production on an independent film can be tough: editors are expensive and the process can drag on for months or even years, especially for documentaries.
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